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ood
grows in concentric layers around the trunk, limbs, roots, and other
woody parts of the tree. You can see these layers when you slice through
the trunk or any other part. |
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HOW WOOD GROWS
At
the very center is the pith. In some trees, this is much softer and
possibly a different color than the surrounding heartwood. Heartwood is
made up of dead cells that no longer serve any purpose except to support
the tree. Next is the sapwood, which carries water, minerals, and plant
sugars between the roots and the leaves. This is often lighter in color
than the heartwood. Outside the sapwood, close to the surface, is the
cambium, a thin layer of living cells. These cells manufacture the wood
as they grow. The cambium is covered by a protective layer of bark. The
cambium grows rapidly at the beginning of each growing season, creating
light colored springwood. As the climate warms, it slows down and
produces darker summerwood. This later growth is somewhat denser and
harder than the early springwood. As the weather turns cold, the cambium
becomes dormant until the next spring. This cycle produces distinctive
growth rings. |
Wood
grows in concentric layers, or growth rings.* |
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Although woodworkers usually prefer heartwood for its richer color, this
is not always the case. When working with light-colored woods such as
maple, many folks fancy sapwood for its consistent creamy white hues. |
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GRAIN STRUCTURE
As
the cambium grows, it generates two types of wood cells. Most of these
are long, narrow
longitudinal cells that align themselves with the axis
of the trunk, limb, or root. These are what give the wood its grain. The
cambium also produces a smaller number of
ray cells that line up in
rays
extending out from the pith, perpendicular to the axis.
As
the wood grows outward, the living protoplasm inside the cells dies and
deteriorates, leaving behind just the cell walls. These walls are
composed mostly of cellulose fibers, which give the wood its strength.
The fibers are bound together with lignin, a glue-like substance. The
hollow
longitudinal cells become part of the sapwood, conducting the sap up and
down the tree. The hollow rays store plant sugars. After several
seasons, the older sapwood turns to heartwood. The sap dries up, and
mineral compounds called
extractives form on the cell walls. These
chemicals turn the wood darker, giving it the characteristic color of
its species. They also affect its strength, stability, and hardness.
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Wood is mostly composed
of longitudinal cells, 100 times longer than they are wide.* |
TYPES OF GRAIN
Because of the manner in which wood grows, every board has a definite
grain direction, parallel to the length of the longitudinal cells. The
grain appears differently depending on how the board is
sawed.
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When you cut a board across the grain
(perpendicular to the grain direction and the growth rings), you
reveal end grain. |
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Cut wood parallel to the grain direction and
tangent to the growth rings, and you’ll see plain grain (also called
tangential or flat grain). |
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Cut it parallel to the grain direction but
through the radius of the growth rings to see quarter grain
(also
referred to as radial grain). |
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Both flat grain and quarter grain are sometimes
called long grain.
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Owing to its unique structure, wood grain appears differently
depending on how the board is cut.* |
WOOD GRAIN IN LUMBER
Sawyers use several methods to cut up a tree, each of which reveals
different grain patterns.
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The most common method is plain sawing because it
produces the highest quantity of usable lumber. The sawyer begins by
sawing several boards from one side of the log, turns it 90 degrees
and saws several more, and continues in this manner “sawing around”
the log. Plain-sawn boards show flat grain on their faces and
quarter grain on the edges. |
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The sawyer might also quarter saw a log. First,
he saws the log in quarters, then slices each quarter into boards,
either by cutting boards from the two flat sides alternately or by
gang-sawing the quarter (making parallel cuts). Quartersawn boards
show mostly quarter grain on their faces and flat grain on the
edges. |
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On special request, a sawyer will
live saw a log
for a woodworker, gang-sawing the entire log. (This is sometimes
called sawing through and through.) Live sawing produces much wider
boards than other methods, and these boards show mostly mixed grain
— flat grain near the center of the face and quarter grain near the
edges. |
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Plain Sawn*
Quarter Sawn*
LiveSawn*
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If
you have a log live-sawn, ask the sawyer to number the boards as he cuts
them. When you dry them, stack the boards in the same order in which
they were cut. This makes it easier to match boards for grain and color
when the wood is ready to work.
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TEXTURE AND
PATTERN
The
size, type, and arrangement of the wood cells differ with the species,
and this also affects the appearance of the grain. The
texture of the
wood is determined by the relative size of the longitudinal cells. Wood
species with large cells are said to have a coarse texture, while those
with smaller cells have a fine texture.
Hardwoods have
vessel elements, a special type of longitudinal cell much
larger in diameter than the surrounding cells. When these vessels are
sliced open, they leave tiny hollows in the wood called pores. These
pores give the hardwoods a distinct look from softwoods, which have
none. Some hardwoods have a larger concentration of pores in the
springwood — these are
known as ring-porous woods. Hardwoods in which the pores are distributed
evenly throughout the springwood and summerwood are ring-diffuse. The
arrangement of pores has an enormous effect on the grain. Ring-porous
hardwoods have a pronounced or strong grain pattern, while the grain
pattern of ring-diffuse stock is much less distinct.
Hardwood pores also come in a wide
range of sizes. Woods with large pores that are easily visible to the
naked eye are said to have an
open grain. Those with
smaller pores, to small to see clearly, have a
closed grain.
Open-grain woods appear coarser than closed-grain woods because the
surface isn't as smooth. When the wood is sawn and the pores are split, the open pores create tiny valleys
and rifts. Oftentimes these pores must be filled before the wood is
finished so the finish will dry to a smooth, flat surface. |
The pores in ring-porous hardwoods such as red oak create a
strong grain pattern.*
The pores in ring-diffuse hardwoods like mahogany are more
evenly distributed and the grain pattern is less distinct.*
Softwoods such as yellow pine have no pores. The grain pattern
is due to the color difference between the springwood and the
summerwood.* |
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Wood grain isn’t
always straight and even. The longitudinal and ray cells sometimes grow
in unusual patterns, many of which are strikingly beautiful. These are
known as figured grain.
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A few wood species, such as white oak, have especially prominent rays.
When quartersawn, these produce silver grain.* |
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Crotch figure, such as this walnut crotch, is cut from the part
of a tree where the trunk divides into smaller limbs and branches.* |
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Curly grain occurs when the longitudinal cells grow in waves.
This occurs in many species but is especially striking in maple.* |
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Bird’s eyes like those in this maple are caused by small dimples in the layers
of cells. These are thought to be caused by a fungus that affects the
growth of the longitudinal cells.* |
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Larger dimples result in quilted figure, like the
quilting in this soft maple. This, too, is the result of a fungus.* |
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The longitudinal cells of certain species, such as mahogany, sometimes
spiral around the trunk, reversing direction every few growth rings.
This creates ribbon figure.* |
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Sometimes a tree produces a large growth on the side of the trunk or a
branch. The cells seem to swirl around each other inside these growths.
When sliced, these produce a burl figure such as this elm burl.* |
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*Indicates that you
can enlarge a photo by clicking on it. To reveal the information in a "Superphoto,"
first enlarge it and then move the cursor over it. |
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